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24-Hour Project Shows There Can Be Enough Hours in A Day

February 1st, 2010 · Blog, Writings

I had the pleasure of being able to take pictures for an event at the theatre at my college. I ended up writing an article about it as well for the school paper. Here it is:

How long does it take to create a complete play? How much time does it take to write it, cast it, stage it and rehearse it? Weeks, months, years? Try 7 plays in 24 hours.

Its eleven o’clock on Friday night in the Kleist center lobby. I’ve been walking around harassing people with my camera and annoyingly bright flash since nine. All those people have been here since seven. My current victim is Dylan Dwyer: “I write every day. I hate it and I love it. It has to be funny and it has to be doable. After 24 hours of no sleep, normal things aren’t as funny”. Dylan is one of seven playwrights involved in this year’s 24-Hour Theatre Project. He, along with the rest of the writers, has been charged with the task of writing a one-act play in 12 hours, complete with actors and actresses who each have already chosen a prop and costume for themselves. The writers were provided with 2-4 pictures that showed each actor or actress and their designated prop and costume. This predetermined constraint on the writing can lead to some very interesting creative developments. What would you do if you have 3 characters and one has a teddy bear, another a yoga mat and the last a top hat and cane?

Man Possessed by Teddy Bear is Exorcised by Waffling Magician

Kyle Downing’s play was a tale of a man possessed by a teddy bear who was saved by a somewhat selfish magician and a princess with a bedraggled flying carpet. The ability to write under pressure and constraints is a difficult task.

The writers certainly have a lot of work to do, but do so the actors and actresses. Rewind back to 7 PM. All actors and actresses have their picture taken with their prop/costume and the photos are distributed to the playwrights. After that, workshops begin. Professionals have been brought in from around the local area to educate students on different topics. There are workshops on technical aspects of theatre as well as acting skills. Pete Ferry teaches a class on deconstructing actor habits. The rest of the evening is spent in workshops, developing and honing different skills. By 7:30 am all the scripts have been turned in and the writers meet with their respective directors to hammer out lighting, sound effects, and any adaptations or questions about the play. At 8:30am the theatre faculty cooks breakfast for the entire group. After breakfast, the real task for the actors begins. They all must memorize their lines and work with directors to figure out staging and timing. By noon tech begins for each play, a time to set up light cues and sound effects as well as run through the play. The rest of the afternoon is spent rehearsing and running through the plays. At 7pm, 24 hours after the project was started, the house in the William Allman Theatre is opened and audience members file in. It is a packed house. Each play is met with riotous laughter or appreciative silence (depending on the plot of course), and all are given thunderous applause.

The 24-Hour Theatre Project was started a few years ago by Beth Bryan and, like many things at B-W, it allows students to get a taste of what the real world is like before they actually go out into it. There are producers who help cast the actors, writers and directors. There are stage managers, people in charge of publicity, lighting, sound, costumes, and of course the actors and actresses. There was something for everyone to do at this event, and the products that came from it were amazing given the circumstances by which they were created. That evening there were plays about house robbers, pregnancy woes, motivations to live, a mortal kombat styled relationship, a man possessed by a teddy bear, three friends whose love of war games keeps them together, and the story of a woman who might be carrying the daughter of God. Each play was different, some brought humor and others a sobering quiet. Back in the Kliest Lobby at 11 PM, Dylan gives me his final statement before going back to his laptop to finish his script: “No matter what, there has to be a point to the writing”.

Rest of the Photo Set Here:

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A quick photo set

September 16th, 2009 · General

I really really love my 50mm lens. This set is from a dance rehearsal for a musical at my college.

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My Band's Business Plan

April 28th, 2009 · General

My band is relatively new. We’ve been together about a year and a half or so. That being said, we have a small but loyal fan base that is growing rapidly. I would like to attribuite this to:

1. Good songs.
2. Strong internet presence
3. Interactions with fans

Our songs are catchy, melodic and unique. That is the first selling point for any band. None of our songs sound the same, and while they are stylistically similar there are noticable differences. So if you are a band starting out, try and write songs that aren’t all power chords, basic drum beats and boring melodies.

Our internet presence is mostly my doing. We started out with myspace (naively of course). Now we have accounts at :

Official Website – Our home base as far as the internet goes. Everything links back to our home page. We have a blog, our bio, music, photos and contact information there. We use a wordpress installation.

Bandcamp – The site we host music on. We give all our music away for free if a fan gives us their email address. Never give something away for free without getting something back. A lot of bands just think because they give their music away for free fans will come flocking. Nope. They might download it and listen to it, then forget it later. If you have their email, you can remind them about yourselves later.

Facebook – One of our biggest assets besides our personal site and bandcamp. Let’s be honest here, who doesn’t use facebook? Our target age is between 16 and 25 and I would bet a substantial amount of money that a lot of those folks use facebook. It’s just a matter of spreading the word. It’s the easiest way to advertise a show and interact with fans.

Twitter – Twitter is slowly becoming a great way to find new fans. It’s a lot of work managing multiple accounts but we are able to get more exposure every week.

Google Analytics I use this mainly to track who goes to the website, and how we are doing in seach engines.

FriendFeed – We use FriendFeed to create an RSS feed of all of our activities on the web. Fans can use a rss reader to subscribe and see what we are up to.

We alslo use Youtube, Flickr, and last.fm and those are all pretty self-explanatory.

So this is all great stuff to use, but here is the key. You ACTUALLY HAVE TO TALK TO PEOPLE. Don’t sit back and think having all these things will automatically get you more exposure, fans and fame. That will never ever happen. You have to interact and sell yourselves in order to become successful. In a class I took, my professor said “don’t be afraid to be bolden brash”. Sell and promote yourself! Don’t be afraid to brag about something awesome your band has done. If you haven’t done anything awesome yet, create something awesome and tell people about it! Get in people’s faces and let them know who you are and why they should care. But don’t be rude or condescending. Always be polite and professional. Would you like it if you met your favorite band and they were dicks to you?

One more thing. If you can’t do graphic design, there is no better time to learn than now. The internet is a vast resource for this. I do most of our band’s stuff right now and gotten great results. If you have no ounce of artistry in you (but you should if you are a musician) you could outsource the work. Find a graphic artist on elance or something similar. The point here is to make yourself look professional visually as well.

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Sony Vegas

April 28th, 2009 · General

I started using Sony Vegas to edit video, rather than Adobe Premiere. Why? Native support for mp4 h.264 video, which is what my camera uses. Here’s the latest video I did. I’m slowly but surely getting good at it.

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Business Communications Video Project

April 21st, 2009 · General

Communication Is Key!

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A bit about my teacher

April 13th, 2009 · General

A recommendation I wrote about my first and only bass teacher, who became my guitar teacher as well as a good friend. If you are in Indianapolis and need a lesson, he is the man. Rob Swaynie

“Rob is one of those no nonsense guys. He has a vast wealth of knowledge that is useful to any level of student, beginner or advanced, guitarist or bassist. Couple that with his quick humor and his ability to empathize with the student, and you have one extraordinary teacher. Rob doesn’t force anything on you, there aren’t rigorous practice schedules or quizzes every week. You have to have (or develop) the self-discipline to learn and practice. If you do, you will find Rob to be one hell of a good teacher, and you will find yourself progressing at a fast pace.

Rob is the best teacher I’ve had, and if somebody asks me where I learned to play, I always tell them to go see this guy.” Ben Meadors 10-1-06

Rob and his Hammond and his Dot

I still value Rob as the man whom I owe a lot to for how I play bass today. He never played bass along with me, he always played his guitar instead. This forced me to get used to playing with others, get used to listening to the chords, and above all keep the groove no matter what.

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Videos from the Tour

April 11th, 2009 · General

So I forgot I had a website again. man, gotta stop doing that. Here are videos from the tour, in case you didn’t see them on twitter.

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And the Tour Begins!

March 7th, 2009 · General

We have one day of rehearsal left, and then we begin our weeklong tour of Kentucky! Check back here for video and photo logs of our trip!

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Spring Break Tour

February 7th, 2009 · General

Big news. I am going on a tour for 4 days in Kentucky over my spring break this year. 2-3 gigs a day across the mountainous state of Kentucky. 2-3 gigs a day sounds outrageous, but we are playing for elementary and middle schools. Our jazz quartet is educating kids about the only truely American art form. Jazz and Blues. I am really excited for this. We get paid (which is good) but we also get to teach kids about something they don’t really know anything about. We are planning out the presentation and music over the next few weeks. I think the plan is half talking/half playing with plenty of audience interaction. We will take students an a journey from New Orleans jazz all the way up to modern jazz. Swing, bob, hard bob, cool jazz and latin will also be in the mix. We are all coming up with songs we think would fit each genre best right now.

Also, Red Beard has a gig at the Grog Shop on the 27th. Check out the site for details. www.redbeardthemusic.com

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movin on up

December 30th, 2008 · General

a couple weeks ago i saw an ad in craigslist for a ramsa mixer. a really cheaply priced ramsa mixer. we have one just like it in the SAC for bands. so i decided, what the hell, its $100 bucks and my current mixer sucks. so a 4 hour drive later, i have this mixer. it came with a flight case that must weigh 50 pounds by itself. i get the case off finally, and find that all the knobs and all the faders are so rusty they barely turn or slide. not to worry, i’ve dealt with this before. FaderLube by DeOxit works wonders on this kinda stuff. 8 hours later, after removing each knob and fader and spraying it out, I finally get to test all 24 channels. they all work, no noisy pots, no malfunctioning. awesome. that mixer must be worth $800.  Moral of the story: craigslist is awesome.

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